This time of writing
comes as it wills.
I have no clear means
to provoke the muse
or lure her here.
I cannot
hold sway over her;
making her to wander
this way and then that
–
a puppeteer with a
randy
disposition.
A gentle falling
snowflake
of unusual shape and
size;
a lilting piece of moss
draped carelessly over
a lichen covered rock.
These are instants that
push open the gates
of time-less-ness and
usher in the full now;
she follows in
just before
the door is closed.
I have no warning of
what sight will fire
out
into the tangles of
synapses
of the pictures in my
mind;
I cannot foretell what
sound will reach back
and in to the registry
of interior rhapsody
and song.
The gray shroud
that hangs just at the
edges of this winter
mountain view
evokes a melody of
him; a sonata of
his presence.
Is it that his middle
name was Grey; or that
his sullen quiet nature
is in the pall of
cold and cloudy
mountain skies?
Does the marking –
one more time –
of his death
propose a banging
on the drums of
my remembrance;
the playing of the
O so ancient chords
of the familiar?
How can the muse
weave so rich and
warm a meaning
with
so few and fragile
strands of imagery –
fleeting and just
beyond our reach;
as if growing each
from seed herself.
It is on the premise
of this creative soil
that the muse
can plant, and tend,
and harvest the cotton
and the flax of
our very own cloth
of constitution – a
singularly
crafted self with her
own will to
arrive and begin work
as she like.
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